The Artist’s House at Argenteuil
Claude Monet
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- Art Type: Oil Painting
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Work Overview
- The Artist's House at Argenteuil
1873
Oil on canvas
60.2 x 73.3 cm (23 11/16 x 28 7/8 in.)
Style: Impressionism
Genre: genre painting
Inscribed, lower right: Claude Monet
The Art Institute of Chicago
Mr. and Mrs. Martin A. Ryerson Collection
Claude Monet and his family lived at Argenteuil, outside Paris, from 1871 to 1878. Here he depicted his five- or six-year-old son, Jean, playing with a hoop and his wife, Camille, standing in the doorway of their vine-covered house. The pleasant weather and neatly kept garden, a forerunner of the artist’s celebrated garden at Giverny, give a sense of tranquility and well-being to this painting. This was a period of financial security for Monet thanks to recent sales of his work to the Paris art dealer Paul Durand-Ruel.
This work is featured in the online catalogue Monet Paintings and Drawings at the Art Institute of Chicago, the first volume in the Art Institute’s scholarly digital series on the Impressionist circle. The catalogue offers in-depth curatorial and technical entries on 47 artworks by Claude Monet in the museum’s collection; entries feature interactive and layered high-resolution imaging, previously unpublished technical photographs, archival materials, and documentation relating to each artwork.
Claude Monet painted The Artist's House at Argenteuil in 1873. In his new home with his family, Monet first indulged in a passion that would last his lifetime. At the rented house in Argenteuil, he cultivated his first garden.
During his second summer there, he began to paint the family in this intimate setting, with Jean playing with his hoop on the terrace among the blue and white planters he brought from Holland and Camille dressed in blue, peeking out the door.On the next page, see more of Argenteuil in Monet's Bridge at Argenteuil.
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Exhibition History
Possibly Paris, Durand-Ruel, Exposition des oeuvres de Cl. Monet, Mar. 1–25, 1883, no cat. no.
Possibly Boston, American Exhibition of Foreign Products, Art and Manufactures, Art Department, Sept. 1–Dec. 1, 1883, cat. 11, as My Garden.
London, Dudley Gallery, Egyptian Hall, Piccadilly, Exposition de tableaux Impressionnistes appartenant à Durand-Ruel, May, 1884, no cat. no.
New York, Durand-Ruel Galleries, Exposition of Forty Paintings by Claude Monet, Jan. 12–27, 1895, cat. 32, as Maison de Monet à Argenteuil, 1872.
New York, Durand-Ruel Galleries, Exhibition of Paintings of Different Periods by Monet, Feb. 8–25, 1911, cat. 8, as Maison de Monet à Argenteuil, 1872.
Art Institute of Chicago, “A Century of Progress”: Loan Exhibition of Paintings and Sculpture, May 23–Nov. 1, 1933, cat. 298.
Art Institute of Chicago, “A Century of Progress”: Loan Exhibition of Paintings and Sculpture for 1934, June 1–Oct. 31, 1934, cat. 209.
Chicago, Lakeside Press Galleries, R. R. Donnelley & Sons, Dec. 27, 1944–Jan. 24, 1945, no cat.
Art Center in La Jolla (Calif.), Great French Paintings, 1870–1910, June 15–July 26, 1956, cat. 8 (ill.).
Art Institute of Chicago, The Paintings of Claude Monet, Apr. 1–June 15, 1957, no cat. no.
Tokyo, Galeries Seibu, Claude Monet, Mar. 30–May 15, 1973, cat. 7 (ill.); Kyoto Municipal Museum, May 19–June 26, 1973; Centre Culturel de Fukuoka, July 11–29, 1973.
Art Institute of Chicago, Paintings by Monet, Mar. 15–May 11, 1975, cat. 29 (ill.).
New York, Acquavella Galleries, Claude Monet, Oct. 27–Nov. 28, 1976, cat. 13 (ill.).
Los Angeles County Museum of Art, A Day in the Country: Impressionism and the French Landscape, June 28–Sept. 16, 1984, cat. 80 (ill.); Art Institute of Chicago, Oct. 23, 1984–Jan. 6, 1985; Paris, Galeries Nationales d’Exposition du Grand Palais, as L’impressionnisme et le paysage français, Feb. 4–Apr. 22, 1985.
Tokyo, Seibu Museum of Art, Shikago bijutsukan insho-ha ten [The impressionist tradition: Masterpieces from the Art Institute of Chicago], Oct. 18–Dec. 17, 1985, cat. 21 (ill.); Fukuoka Art Museum, Jan. 5–Feb. 2, 1986; Kyoto Municipal Museum of Art, Mar. 4–Apr. 13, 1986.
Leningrad (now Saint Petersburg), State Hermitage Museum, Ot Delakrua do Matissa: Shedevry frantsuzskoi zhivopisi XIX–nachala XX veka, iz Muzeia Metropoliten v N’iu-Iorke i Khudozhestvennogo Instituta v Chikago [From Delacroix to Matisse: Masterpieces of French painting of the nineteenth to the beginning of the twentieth century from the Metropolitan Museum of Art, New York, and the Art Institute of Chicago], Mar. 15–May 16, 1988, cat. 28 (ill.); Moscow, Pushkin Museum of Fine Arts, May 30–July 30, 1988.
Art Institute of Chicago, Claude Monet, 1840–1926, July 22–Nov. 26, 1995, cat. 28 (ill.).
Washington, D.C., National Gallery of Art, The Impressionists at Argenteuil, May 28–Aug. 20, 2000, cat. 18 (ill.); Hartford, Conn., Wadsworth Atheneum Museum of Art, Sept. 6–Dec. 3, 2000.
Kunsthaus Zürich, Monet’s Garten, Oct. 29, 2004–Mar. 13, 2005, cat. 10 (ill.).
Copenhagen, Ny Carlsberg Glyptotek, Women in Impressionism: From Mythical Feminine to Modern Woman, Oct. 6, 2006–Jan. 21, 2007, cat. 63 (ill.).
Fort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 12 (ill.).
Edinburgh, National Gallery of Scotland, Impressionist Gardens, July 31–Oct. 17, 2010, cat. 18 (ill.); Madrid, Museo Thyssen-Bornemisza, Nov. 16, 2010–Feb. 14, 2011 (Edinburgh only).
Cleveland, Ohio, Cleveland Museum of Art, Painting the Modern Garden: Monet to Matisse, Oct. 11, 2015-Jan.3, 2016 .
Publication History
Foreign Exhibition, Boston, Catalogue of the Art Department, Illustrated, exh. cat. (Mills, Knight & Co., 1883), cat. 11. Simultaneously published in Foreign Exhibition Association, Official Catalogue, Foreign Exhibition, compiled by C. B. Norton (George Coolidge, 1883), p. 214, no. 164.
Durand-Ruel Galleries, New York, Exposition of Forty Paintings by Claude Monet, exh. cat. (Durand-Ruel Galleries, 1895), cat. 32.
Durand-Ruel Galleries, New York, Exhibition of Paintings of Different Periods by Monet, exh. cat. (Durand-Ruel Galleries, 1911), cat. 8.
Art Institute of Chicago, “Accessions and Loans,” Bulletin of the Art Institute of Chicago 16, 3 (May 1922), p. 47.
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1925), p. 162, cat. 2136.
M. C., “Monets in the Art Institute,” Bulletin of the Art Institute of Chicago 19, 2 (Feb. 1925), p. 19.
Daniel Catton Rich, “The Paintings of Martin A. Ryerson,” Bulletin of the Art Institute of Chicago 27, 1 (Jan. 1933), p. 9.
Art Institute of Chicago, Catalogue of “A Century of Progress”: Exhibition of Paintings and Sculpture; Lent from American Collections, ed. Daniel Catton Rich, 3rd ed., exh. cat. (Art Institute of Chicago, 1933), p. 43, cat. 298.
Art Institute of Chicago, Catalogue of “A Century of Progress”: Exhibition of Paintings and Sculpture, 1934, ed. Daniel Catton Rich, exh. cat. (Art Institute of Chicago, 1934), p. 36, cat. 209.
Art Institute of Chicago, A Brief Illustrated Guide to the Collections (Art Institute of Chicago, 1935), p. 28.
George Slocombe, “Giver of Light,” Coronet (Mar. 1938), p. 22 (ill.).
Art Institute of Chicago, “Department of Reproductions,” Bulletin of the Art Institute of Chicago 38, 5 (Sept.–Oct. 1944), p. 85 (ill.).
Art Institute of Chicago, “Department of Reproductions,” Bulletin of the Art Institute of Chicago 38, 6 (Nov. 1944), p. 100.
Art Institute of Chicago, A Brief Illustrated Guide to the Collections (Art Institute of Chicago, 1945), p. 37.
Art Institute of Chicago, “Department of Reproductions,” Bulletin of the Art Institute of Chicago 39, 1 (Jan. 1945), p. 14.
Art Institute of Chicago, “Christmas Cards at the Institute,” Bulleting of the Art Institute of Chicago 39, 6 (Nov. 1945), p. 93.
Hans Huth, “Impressionism Comes to America,” Gazette des beaux-arts 29 (1946), pp. 228, fig. 2; 229, n. 6; 230.
Oscar Reuterswärd, Monet: En konstnärshistorik (Bonniers, 1948), p. 282.
Charles Fabens Kelley, “Chicago: Record Years,” Art News 51, 4 (June–Aug. 1952), p. 54 (ill.).
Art Institute of Chicago, An Illustrated Guide to the Collections of the Art Institute of Chicago (Art Institute of Chicago, 1956), p. 34.
Art Center in La Jolla, Great French Paintings, 1870–1910, exh. cat. (Art Center in La Jolla, 1956), p. 11, cat. 8 (ill.).
[Art Institute of Chicago], “Homage to Claude Monet,” Art Institute of Chicago Quarterly 51, 2 (Apr. 1, 1957), p. 26 (ill.).
Art Institute of Chicago, “Catalogue,” Art Institute of Chicago Quarterly 51, 2 (Apr. 1, 1957), p. 33.
Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute of Chicago, 1961), p. 318.
Frederick A. Sweet, “Great Chicago Collectors,” Apollo 84 (Sept. 1966), p. 202.
Rodolphe Walter, “Les maisons de Claude Monet à Argenteuil,” Gazette des beaux-arts (Dec. 1966), front cover (detail); pp. 335; 336, fig. 2.
Charles C. Cunningham and Satoshi Takahashi, Shikago bijutsukan [Art Institute of Chicago], Museums of the World 32 (Kodansha, 1970), p. 56, cat. 42, (ill.); 161.
Gerald Needham, “The Paintings of Claude Monet, 1859–1878” (Ph.D. diss., New York University, 1971), pp. 226, 240.
François Daulte, Exposition Claude Monet, exh. cat. (Yomiuri Shimbun Sha, 1973), cat. 7 (ill.).
Daniel Wildenstein, Claude Monet: Biographie et catalogue raisonné, vol. 1, Peintures, 1840–1881 (Bibliothèque des Arts, 1974), pp. 65; 236; 237, cat. 284 (ill.).
Grace Seiberling, “The Evolution of an Impressionist,” in Paintings by Monet, ed. Susan Wise, exh. cat. (Art Institute of Chicago, 1975), p. 28.
Susan Wise, ed., Paintings by Monet, exh. cat. (Art Institute of Chicago, 1975), p. 83, cat. 29 (ill.).
Andrew Forge, Claude Monet, exh. cat. (Acquavella Galleries, 1976), cat. 13 (ill.).
Alice Bellony-Rewald, The Lost World of the Impressionists (Weidenfeld & Nicolson, 1976), pp. 124 (ill.), 125.
Joel Isaacson, Claude Monet: Observation and Reflection (Phaidon/Dutton, 1978), p. 205.
J. Patrice Marandel, “New Installation of Earlier Paintings,” Bulletin of the Art Institute of Chicago 73, 1 (Jan.–Feb., 1979), p. 15 (ill.).
Paul Hayes Tucker, Monet at Argenteuil (Yale University Press, 1982), pp. xi; 136; 137; 139; 140, fig. 112; 163.
Sylvie Gache-Patin, “Private and Public Gardens,” in A Day in the Country: Impressionism and the French Landscape, ed. Andrea P. A. Belloli, exh. cat. (Los Angeles County Museum of Art, 1984), pp. 220; 221, no. 80 (ill.).
Sylvie Gache-Patin, “Jardins privés et jardins publics,” in Réunion des Musées Nationaux, L’impressionnisme et le paysage français, exh. cat. (Réunion des Musées Nationaux, 1985), pp. 226–27, no. 80 (ill.); 228.
Charles F. Stuckey, ed., Monet: A Retrospective (Hugh Lauter Levin, 1985), p. 344 (ill.).
Art Institute of Chicago, Seibu Museum of Art, Kyoto Municipal Museum of Art, and Fukuoka Art Museum, eds., Shikago bijutsukan insho-ha ten [The Impressionist tradition: Masterpieces from the Art Institute of Chicago], trans. Akihiko Inoue, Hideo Namba, Heisaku Harada, and Yoko Maeda, exh. cat. (Nihon Nippon Television Network, 1985), pp. 58, cat. 21 (ill.); 140, cat. 21 (ill.).
John House, Monet: Nature into Art (Yale University Press, 1986), pp. 5; 6, pl. 3; 18; 30; 34; 80; 115.
Richard R. Brettell, French Impressionists (Art Institute of Chicago/Abrams, 1987), pp. 16 (ill.), 17, 118.
Leningrad (now Saint Petersburg), State Hermitage Museum, Ot Delakrua do Matissa: Shedevry frantsuzskoi zhivopisi XIX–nachala XX veka, iz Muzeia Metropoliten v N’iu-Iorke i Khudozhestvennogo Instituta v Chikago [From Delacroix to Matisse: Masterpieces of French painting of the nineteenth to the beginning of the twentieth century from the Metropolitan Museum of Art, New York, and the Art Institute of Chicago] exh. cat. (Avrora, 1988), pp. 78–79, cat. 28 (ill.).
Mary Mathews Gedo, “The Grande Jatte as the Icon of a New Religion: A Psycho–Iconographic Interpretation,” "The Grande Jatte at 100," special issue, Art Institute of Chicago Museum Studies 14, 2 (1989), pp. 235, fig 10; 237.
Michael Howard, Monet (Brompton, 1989), pp. 82–83 (ill.).
Richard R. Brettell, with the assistance from Joachim Pissarro, Pissarro and Pontoise: The Painter in a Landscape (Yale University Press, 1990), p. 175, fig. 153.
Rodolphe Rapetti, Monet (Anaya/Giorgio Mondadori, 1990), p. 29, pl. 9. Translated by Richard Crevier as Monet, Masters’ Gallery (Arch Cape/Outlet, 1990), p. 29, pl. 9.
Karin Sagner-Düchting, Claude Monet, 1840–1926: Ein Fest für die Augen (Benedikt Taschen, 1990), p. 73 (ill.). Translated by Karen Williams as Claude Monet, 1840–1926: A Feast for the Eyes (Taschen, 2004), p. 73 (ill.).
Bernard Denvir, Impressionism: The Painters and the Paintings (Studio Editions, 1991), pp. 179; 180, pl. 175; 418.
Daniel Wildenstein, Claude Monet: Biographie et catalogue raisonné, vol. 5, Supplément aux peintures: Dessins; Pastels; Index (Wildenstein Institute, 1991), p. 28, no. 284.
Sylvie Patin, Monet: “Un oeil . . . mais, bon Dieu, quel oeil!” (Gallimard/Réunion des Musées Nationaux, 1991), pp. 45; 46–47 (ill., details); 170. Translated by Anthony Roberts as Monet: The Ultimate Impressionist (Abrams, 1993), pp. 45; 46–47 (ill., details); 170.
Sophie Fourny-Dargère, Monet, Profils de l’art (Chêne, 1992), pp. 60; 61, fig. 6.
Art Institute of Chicago, Treasures of 19th- and 20th-Century Painting: The Art Institute of Chicago, with an introduction by James N. Wood (Art Institute of Chicago/Abbeville, 1993), p. 57 (ill.).
Derek Fell, The Impressionist Garden (Frances Lincoln, 1994), pp. 68 (ill.), 69, 72.
Nancy Nunhead, Claude Monet (Barnes & Noble/Brompton, 1994), pp. 66–67 (ill.).
Andrew Forge, Monet, Artists in Focus (Art Institute of Chicago, 1995), pp. 17; 19 (detail); 21; 22; 69; 75, pl. 4.
Charles F. Stuckey, with the assistance of Sophia Shaw, Claude Monet, 1840–1926, exh. cat. (Art Institute of Chicago/Thames & Hudson, 1995), pp. 51, cat. 28 (ill.); 210; 243.
Ra Myuzu Henshubu, Mone: Yureru hikari [Monet] (Kodansha, 1995), pp. 48–49, pl. 17; 123.
Daniel Wildenstein, Claude Monet, or The Triumph of Impressionism, cat. rais., vol. 1 (Taschen/Wildenstein Institute, 1996), pp. 96 (ill.), 103.
Daniel Wildenstein, Claude Monet: Catalogue raisonné/Werkverzeichnis, vol. 2, Nos. 1–968 (Taschen/Wildenstein Institute, 1996), pp. 120–21, cat. 284 (ill.).
Carla Rachman, Monet (Phaidon, 1997), pp. 101; 102–03, fig. 72.
Lisa N. Peters, Visions of Home: American Impressionist Images of Suburban Leisure and Country Comfort, ed. Lisa N. Peters and Peter M. Lukehart, exh. cat. (Trout Gallery, Dickinson College/University Press of New England, 1997), p. 25, fig. 8.
Art Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood (Art Institute of Chicago/Hudson Hills, 2000), pp. 9, 39 (ill.).
Art Institute of Chicago, Treasures from the Art Institute of Chicago, selected by James N. Wood, commentaries by Debra N. Mancoff (Art Institute of Chicago/Hudson Hills, 2000), p. 202 (ill.).
Paul Hayes Tucker, The Impressionists at Argenteuil, exh. cat. (National Gallery of Art, Washington, D.C./Wadsworth Atheneum Museum of Art/Yale University Press, 2000), pp. 32; 88–89, cat. 18 (ill.).
Debra N. Mancoff, Monet’s Garden in Art (Viking Studio, 2001), pp. 18 (ill.), 19, 21, 22.
Sylvie Patin, L’impressionisme (Bibliothèque des Arts, 2002), pp. 66; 70, no. 47 (ill.); 296.
Richard Shone, The Janice H. Levin Collection of French Art (Metropolitan Museum of Art, New York/Yale University Press, 2002), p. 22, fig. 8.
Debra N. Mancoff, Monet: Nature into Art (Publications International, 2003), pp. 8 (ill.), 28–29 (ill.).
Christoph Becker, “Monet’s Garten,” Monet’s Garten, ed. Christoph Becker, exh. cat. (Kunsthaus Zürich/Hatje Cantz, 2004), pp. 24; 26, cat. 10 (ill.). Translated by Fiona Elliot as “Monet’s Garden,” in Monet’s Garden, ed. Christoph Becker, exh. cat. (Kunsthaus Zürich/Hatje Cantz, 2004), pp. 23; 26, cat. 10 (ill.).
Catherine Hug and Monika Leonhardt, “Der Gärtner Claude Monet,” Monet’s Garten, ed. Christoph Becker, exh. cat. (Kunsthaus Zürich/Hatje Cantz, 2004), p. 116. Translated by Will Furth as “Claude Monet the Gardener,” in Monet’s Garden, ed. Christoph Becker, exh. cat. (Kunsthaus Zürich/Hatje Cantz, 2004), p. 115.
Paul Soderberg, “Masters and Mentors: Art’s Endless Golden Line,” Plein air (July 2005), p. 60 (ill.).
Dorothee Hansen and Wulf Herzogenrath, eds., Monet und Camille: Frauenportraits im Impressionismus, exh. cat. (Kunsthalle Bremen/Hirmer, 2005), pp. 32, 33 (ill.).
Doris Kutschback, Monet: Seine Gärten, seine kunst, seine leben (Prestel, 2006), pp. 16–17 (ill.). Translated as Living Monet: The Artist’s Gardens (Prestel, 2006), pp. 16–17 (ill.).
Sidel Maria Søndergaard, “Women in Impressionism: An Introduction,” in Women in Impressionism: From Mythical Feminine to Modern Woman, ed. Sidsel Maria Søndergaard, exh. cat. (Ny Carlsberg Glyptotek/Skira, 2006), p. 32.
John House, “Women Out of Doors,” in Women in Impressionism: From Mythical Feminine to Modern Woman, ed. Sidsel Maria Søndergaard, exh. cat. (Ny Carlsberg Glyptotek/Skira, 2006), p. 158.
Norio Shimada, Claude Monet, Great Masters of Western Art 1 (Shogakukan, 2006), p. 61 (ill.).
Ruth E. Iskin, “Was There a New Woman in Impressionist Painting?,” in Women in Impressionism: From Mythical Feminine to Modern Woman, ed. Sidsel Maria Søndergaard, exh. cat. (Ny Carlsberg Glyptotek/Skira, 2006), p. 217, fig. 192/cat. 63; 311.
Katja Matauschek, “‘Field’ Studies: Observations on the Painting Technique and Condition of Monet’s Fields in Spring,” in Christian von Holst and Christofer Conrad, with contributions by Roman Zieglgänsberger and Katja Matauschek, Claude Monet: Fields in Spring, exh. cat. (Staatsgalerie Stuttgart/Hatje Cantz, 2006), p. 146.
Eric M. Zafran, “Monet in America,” in Wildenstein and Co., Claude Monet (1840–1926): A Tribute to Daniel Wildenstein and Katia Granoff, exh. cat. (Wildenstein, 2007), pp. 85–86; 87, fig. 10.
Denis Rouart, “Appearances and Reflections,” in Denis Rouart and Jean-Dominique Rey, with a cat. rais. by Julie Rouart, Monet, Water Lilies: The Complete Series, trans. David Radzinowicz (Flammarion/Rizzoli, 2008), pp. 22, 25. Simultaneously revised and published in French as Denis Rouart and Jean-Dominique Rey, with a cat. rais. by Julie Rouart, Monet, les nymphéas (Flammarion, 2008).
George T. M. Shackelford, Monet and the Impressionists, exh. cat. (Art Gallery of New South Wales/Yale University Press, 2008), pp. 27; 31, n. 17.
Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago/Kimbell Art Museum, 2008), pp. 46 (detail); 47, cat. 12 (ill.). Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago/Yale University Press, 2008), pp. 46 (detail); 47, cat. 12 (ill.).
Ruth Butler, Hidden in the Shadow of the Master: The Model-Wives of Cézanne, Monet, and Rodin (Yale University Press, 2008), pp. 159 (ill.), 175.
Claudia Beltramo Ceppi, Monet: Il tempo delle ninfee, exh. cat. (Palazzo Reale/Giunti, 2009), p. 44.
Susie Hodge, Monet: His Life and Works in 500 Images (Lorenz, 2009), p. 128 (ill.).
Gabrielle van Zuylen, “L’oeil du jardinière . . . Claude Monet,” in Le jardin de Monet à Giverny: L’invention d’un paysage, exh. cat. (Musée des Impressionnismes, Giverny/Five Continents, 2009), pp. 40; 41, ill. 2. Translated by Gabrielle van Zuylen as “The Eye of a Gardener . . . Claude Monet,” in Monet’s Garden in Giverny: Inventing the Landscape, trans. Simon Pleasance and Fronza Woods, exh. cat. (Musée des Impressionnismes, Giverny/Five Continents, 2009), pp. 40; 41, fig. 2; 43.
Greg M. Thomas, Impressionist Children: Childhood, Family, and Modern Identity in French Art (Yale University Press, 2010), pp. 31; 115; 116, fig. 105; 184.
Mary Mathews Gedo, Monet and His Muse: Camille Monet in the Artist’s Life (University of Chicago Press, 2010), pp. 127, fig. 8.10; 128.
Clare A. P. Willsdon, Impressionist Gardens, exh. cat. (National Galleries of Scotland, 2010), pp. 2–3 (ill.); 4; 48, cat. 18 (ill.); 146–47, cat. 18.
Caroline Holmes, Impressionists in their Garden (Antique Collectors’ Club, 2012), pp. 170–71 (ill.).
“Cat. 15: The Artist’s House at Argenteuil, 1873” in Monet Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014).
Ownership History
Possibly sold by the artist to Alexandre Dubourg, Paris, 1873. [1]
Possibly sold by Alexandre Dubourg, Paris, to Durand-Ruel, Paris, Jan. 9, 1882. [2]
Sold to Durand-Ruel, Paris, Apr. 29, 1890, for 1,500 francs. [3]
Sold by Durand-Ruel, Paris, to Potter Palmer, Chicago, July 8, 1891, for 5,000 francs. [4]
Sold by Potter Palmer, Chicago, to Durand-Ruel, New York, Nov. 23, 1894, for $2,500. [5]
Sold by Durand-Ruel, New York, to Martin A. Ryerson, Chicago, Apr. 24, 1912, for $6,200. [6]
Bequeathed by Martin A. Ryerson, Chicago (died 1932), to the Art Institute of Chicago, 1933.
NOTES
[1] According to Daniel Wildenstein, Monet: Catalogue raisonné/Werkverzeichnis, vol. 2, Nos. 1–968 (Taschen/Wildenstein Institute, 1996), pp. 120–21, cat. 284 (ill.). See also Daniel Wildenstein, Monet, or The Triumph of Impressionism, cat. rais., vol. 1 (Taschen/Wildenstein Institute, 1996), p. 101, which states that Dubourg, an art dealer, bought three pictures from Monet for a total of 1,500 francs in 1873. The Durand-Ruel Archives could not verify this information. According to the Durand-Ruel Archives, “Nous n’avons aucune documentation à ce sujet.” See Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file, Art Institute of Chicago.
[2] According to Daniel Wildenstein, Claude Monet: Catalogue raisonné/Werkverzeichnis, vol. 2, Nos. 1–968 (Taschen/Wildenstein Institute, 1996), pp. 120–21, cat. 284 (ill.). The Durand-Ruel Archives could not verify this information. According to the Durand-Ruel Archives: “Durand-Ruel Paris (stock 2147) achète à Dubourg un tableau de Monet intitulé Son jardin le 9 janvier 1882 mais nous n’avons aucune preuve qu’il s’agisse du tableau du AIC,” Durand-Ruel, Paris, stock book for 1880–82 and stock book for 1880–84; see Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file, Art Institute of Chicago.
[3] The transaction is recorded in the Durand-Ruel, Paris, stock book May 1, 1890 (no. 277, as Maison de l’artiste): “Acheté par Durand-Ruel Paris (stock 277) le 29 avril 1890 pour 1500 francs, Maison de l’artiste,” as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file, Art Institute of Chicago. In the same letter, the Durand-Ruel Archives state that they do not know from whom the painting was purchased.
[4] The transaction is recorded in the Durand-Ruel, Paris, stock book May 1, 1890 (no. 277, as Maison de l’artiste): “Vendu par Durand-Ruel Paris (stock 277) à Potter Palmer le 8 juillet 1891 pour 5000 francs, Maison de l’artiste,” as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file, Art Institute of Chicago
[5] The transaction is recorded in the Durand-Ruel, New York, stock book for 1894–1905 (no. 1279, as Sa Maison à Argenteuil): “Acheté par Durand-Ruel New York (stock 1279) à Potter Palmer le 23 novembre 1894 pour $2500, Sa Maison à Argenteuil,” as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file, Art Institute of Chicago.
[6] The transaction is recorded in the Durand-Ruel, New York, stock book for 1904–24 (no. 1279, as Sa Maison et jardin à Argenteuil, 1872): “Vendu par Durand-Ruel New York (stock 1279) à M. A. Ryerson le 24 avril 1912 pour $6200, Sa Maison et jardin à Argenteuil, 1872,” as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010. A purchase receipt on Durand-Ruel letterhead, dated May 23, 1912, includes this painting as one of several sold by Durand-Ruel, New York, to M. A. Ryerson. Photocopy in curatorial object file, Art Institute of Chicago. This painting was on loan from Martin A. Ryerson to the Art Institute of Chicago intermittently by 1921, according to Museum Registration department artists sheets, on file in Museum Registration, Art Institute of Chicago.
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- Late Afternoon in Vetheuil
- Le Grand Canal or The Grand Canal in Venice
- Lemons on a Branch
- Cliff near Dieppe
- Chrysanthemums
- Bordighera
- Green Reflection left half
- Port Donnant Belle Ile
- View of Amsterdam
- Boats Lying at Low Tide at Facamp
- Irises in Monet’s Garden
- Landscape on the Ile Saint-Martin
- Haystacks at Giverny 1895
- The Luncheon
- View of Vetheuil
- At Cap d Antibes Mistral Wind
- In the Norvegienne
- Rowboat on the Seine at Jeufosse
- Irises in Monets Garden at Giverny
- The Banks of the River Epte at Giverny
- The Bridge over the Water Lily Pond 1905
- Peaches
- The Path at Giverny
- The Manneport Etretat
- Le Rue de La Bavolle at Honfleur
- 4 Morning on the Seine
- Poplars
- Lilac Irises
- Windmill near Zaandam
- Water Lily Pond at Giverny
- The Coast at SainteAdresse
- In the Meadow detail
- Red Water Lilies
- Taking a Walk on the Cliffs of SainteAdresse
- Boats on the Beach Etretat
- Arm of the Seine near Giverny at sunrise
- The Water Lily Pond right side
- The Palazzo Ducale II
- The Manneport Seen from the East
- Turkeys
- River Scene at Bennecourt
- The Bend of the Seine at Lavacourt Winter
- Charing Cross Bridge Reflections on the Thames
- Lane in the Poppy Fields Ile SaintMartin
- Arm of the Seine at Giverny
- The Garden at Argenteuil aka The Dahlias
- Windmills near Zaandam
- The Seine at Port Villez Snow Effect
- The Boulevard de Pontoise at Argenteuil Snow Effect
- The Seine at Vetheuil II 1879
- The Seine and the Chaantemesle Hills
- A Row of Poplars
- Water Lilies 1914
- Barge on the Seine at Vertheuil
- Fields of Flowers and Windmills near Leiden
- Boats on the Beach at Etretat
- The Manneport at High Tide
- The Pyramids of Port Coton BelleIleenMer
- The Cliff at Varengeville
- Vase of Poppies
- Jar of Peaches
- Poplars on the Banks of the Epte
- Morning left detail
- The Road to Vetheuil
- The Beach at Sainte Adresse
- Grove of Olive Trees in Bordighera
- A Spot on the Banks of the Seine
- Water Lilies XIV
- Chrysanthemums IV
- The Road in Vetheuil in Winter
- The Pond at Montgeron II
- Dieppe
- Cap Martin
- The Church at Varengeville and the Gorge of Les Moutiers
- Rough Sea
- Farm near Honfleur
- The Boulevard des Capuchine
- Villas at Bordighera
- Windmills in Holland
- The Promenade at Argenteuil
- The Magpie
- Water Lilies Evening Effect
- By the River at Vernon
- Rouen Cathedral
- Le Lieutanance at Honfleur
- Spring Flowers
- Fisherman Cottage at Varengeville
- The Studio Boat
- The Lion Rock BelleIleenMer
- The Bay of Antibes
- Camille on the Beach at Trouville
- Palazzo Dario
- Still Life with Bottle Carafe Bread and Wine
- Meton Seen from Cap Martin
- The Tulleries
- Etretat Sunset
- Cap Martin III
- La Promenade
- Vetheuil in Summer
- Poppies near Vetheuilcirca
- Water Lilies 1907
- San Giorgio Maggiore at Dusk
- The Walk Woman with a Parasol
- The Village of Lavacourt
- The Strollers study for Luncheon on the Grass
- Springtime through the Branches
- Olive Trees in Bordighera
- Plum Trees in Blossom at Vetheuil
- Water Lily Pond Symphony in Rose
- The Pink Skiff
- Water Lily Pond Water Irises
- Study of Olive Trees
- Branch of Lemons
- Water Lily Pond Evening right panel
- The Landing State
- The Banks of The Seine in Autumn
- The Valley of the Scie at Pouville
- Boats at Rouen
- Camille Monet in Japanese Costume
- The Artist’s House at Argenteuil
- Willows in Spring
- Snow Effect at Falaise
- The Castle at Dolceacqua
- The Valley of Sasso Bordighera
- The Artist’s Garden at Vétheuil
- Garden in Bordighera Morning Effect
- Antibes in the Morning
- Evening in the Meadow at Giverny detail
- The Manneport near Etretat
- The Water Lily Pond 1919
- Low Tide at Pourville
- Stormy Weather at Etretat
- Luncheon under the Canopy
- Valle Bouna near Bordighera
- Red Boats at Argenteuil
- Monet’s House in Argenteuil
- Boats in the Port of Honfleur
- The Pointe de la Heve at Low Tide
- Still Life with Pears and Grapes
- Sunlight Effect under the Poplars
- The House Seen from the Rose Garden II
- The Plain of Colombes White Frost
- Lavacourt Sun and Snow
- The Cliff at Dieppe
- The Rock Needle Seen through the Porte d Aumont
- The Esterel Mountains
- The Rose Bush
- La Japonaise Camille Monet in Japanese Costume
- Landscape with Figures Giverny
- Houses of Parliament London Sun Breaking Through the Fog
- Rouen Cathedral Portal in the Sun
- Boaters at Argenteuil
- Road to the SaintSimeon Farm
- Water Lilies X
- Spring Landscape
- Exterior of the Saint Lazare Station Arrival of a Train
- Field of Poppies at Giverny
- The Promenade at Argenteuil II
- Edge of the Cliff at Pourville
- Vetheuil Afternoon
- Bouquet of Sunflowers
- Pathway in Monets Garden at Giverny
- Amsterdam
- Banks of the Seine at Jenfosse Clear Weather
- Open Seacirca
- Gardener s House at Antibes
- The Beach at Trouville
- The Water Lily Pond left side
- The Cliff at Etretat
- Cliffs and Sailboats at Pourville
- Irises
- La Grenouillere
- Water Lilies VI
- Orange Branch Bearing Fruit
- Red Houses at Bjornegaard in the Snow Norway
- Agapanthus right panel
- On the Cliff at Fecamp
- The Garden Gate
- The Small Arm of the Seine at Mosseaux Evening
- The Boardwalk at Trouville
- Water Lilies XVI
- Boulevard St Denis Argenteuil Snow Effect
- The Studio Boat 1874
- In the Garden
- Pink Water Lilies
- Portrait Of Madame Gaudibert
- The Walk Argenteuil
- Women in the Garden
- The Church at Varengaville Grey Weather
- The Japanese Bridge VIII
- The Water Lily Pond III
- Two Grainstacks at the End of the Day Autumn
- The Ball Shaped Tree Argenteuil detail
- Bennecourt
- Water Lilies XIX
- Farmyard in Normandy
- Water Lilies IV
- Entrance to the Port of Trouville
- The Basin at Argenteuil
- The Gorge at Varengeville
- Water Lilies and Agapanthus
- Under the Lemon Trees
- Waves and Rocks at Pourville
- The Bridge over the Water Lily Pond
- Water Lilies VII
- Landscape at PortVillez
- Arm of the Seine near Vetheuil
- Relaxing in the Garden Argenteuil
- Road in a Forest
- The Seine at Asnieres
- Small Country Farm in Bordighera
- Calm Weather Fecamp
- Self Portrait with a Beret
- Camille in the Garden with Jean and His Nanny
- Vetheuil Pink Effect
- On the Cliff near Dieppe II
- The House Seen from the Rose Garden III
- A Windmill at Zaandam
- Poppies (Wild Poppies or The Poppy Field near Argenteuil)
- Evening Effect of the Seine
- The Big Blue in Antibes
- Wood Lane
- Ice Floes on the Saine at Bougival
- Woman with a Parasol Facing Right
- Yellow Irises
- The Fisherman s House at Varengeville
- Trees in Winter View of Bennecourt II
- Boatyard near Honfleur
- The Cliff Walk Pourville
- Impression Sunrise
- Windmills at Haaldersbroek Zaandam
- Jeanne-Marguerite Lecadre in the Garden (Woman in the Garden Sainte-Adresse)
- The Zaan at Zaandam II
- The Water Lily Pond aka Japanese Bridge
- BelleIle Rain Effect
- The Boats Regatta at Argenteuil
- The Rock Needle Seen through the Porte d’Aval
- Morning on the Seine near Giverny
- The Path through the Irises
- The Beach aka Camille Monet on a Garden Bench
- Poppy Fields near Argenteuil
- Water Lilies XI
- Autumn on the Seine at Argenteuil
- 4 The Water Lily Pond
- The Beach and the Falaise d Amont
- Rocks at BelleIle PortDomois
- Madame Gaudibert
- Two Trees in a Meadow
- Landscape at Vetheuil
- The Cliffs of Varengeville Gust of Wind
- Sunset left half
- Antibes Seen from the Salis Gardens
- Regatta at SainteAdresse
- Yachts at Argenteuil
- Weeping Willow Giverny
- Sunlight on the Petit Cruese
- Trees by the Seashore at Antibes
- The Flowered Garden
- Anglers on the Seine at Poissy
- Jean Monet on His Horse Tricycle
- The Rock Needle and Porte d’Aval Etrétat
- Sailing Boats at Honfleur
- Arm of the Seine near Giverny II
- The Railroad Bridge at Argenteuil II
- The Jetty of Le Havre in Rough Westher II
- Flowers and Fruit
- Palm Trees at Bordighera
- Fishing Boats
- The Steps
- The Grand Canal (Le Grand Canal)
- Water Lilies 2
- The Iris Garden at Giverny
- The Water Lily Pond
- Vetheuil Flowering Plum Trees
- Street in SaintAdresse
- Windmill at Zaandam
- The Cliff at SainteAdresse
- The House Seen through the Roses
- Bordighera Italy
- Riverbank at Argenteuil
- The Road to Vetheuil Snow Effect
- The Banks of the Seine at
- SainteAdresse
- The Valley of the Nervia
- Beach and Cliffs at Pourville Morning Effect
- Field of Tulips in Holland
- A Meadow
- Chrysanthemums III
- Three Poplars Trees in the Autumn
- Le Pave de Chailly
- Pine Trees Cap d Antibes
- Path in the Forest
- View of Bordighera
- The Banks of the Seine Lavacour
- Fecamp by the Sea
- Evening at Argenteuil
- Water Lilies II 1916
- Boat at Low Tide at Fecamp
- Camille Sitting on the Beach at Trouville
- The Seine near Bougival detail
- The Bridge at Argenteuil
- JuanlesPins
- Sunset on the Seine at Lavacourt Winter Effect
- Meadow with Poplars near Argenteuil
- The Banks of the Seine Ile de la GrandeJatte
- The Seine at Argenteuil
- Argenteuil Seen from the Small Arm of the Seine
- Poplars on the Banks of the River Epte at Dusk
- The Avenue
- Customs House Rose Effect
- Water Lilies 1904
- The Water-Lily Pond 1897 (Water Lilies and Japanese Bridge)
- Water Lilies II
- Exterior of Saint Lazare Station aka The Signal
- The Robec Stream Rouen aka Factories at Deville near Rouen
- White Frost
- The Flowered Arches at Giverny
- The Hoschedes Garden at Montgeron
- Villas in Bordighera
- Garden of the Princess
- The Seine near Vernon
- Hotel des Roches Noires Trouville
- 4 The Seine near Giverny
- The Parc Monceau
- Etretat Rough Sea
- Alice Hoschede in the Garden
- Water Lily Pond with Irises
- The Moreno Garden at Bordighera II
- Pourville near Dieppe
- The Willow aka Spring on the Epte
- Antibes Seen from the Salis Gardens II
- The Riverbank at Petit Gennevilliers
- The Seine near Vetheuil Stormy Weather
- The Banks of the River Epte in Spring
- At Cap d Antibes
- The Main Path at Giverny
- Fontainebleau Forest
- The Luncheon (The Lunch decorative panel)
- Bend in the River Epte
- Haystacks at Giverny
- Poplars on the Banks of the River Epte Seen from the Marsh
- Coastal Road at Cap Martin near Menton
- View of Ventimiglia
- Train in the Snow the Locomotive
- The Banks of the Seine at Argenteuil
- Group of Rocks at PortGoulphar
- The Flood of the Seine at Vetheuil
- Strada Romada in Bordighera
- A Cart on the Snow Covered Road with SaintSimeon Farm
- Oat and Poppy Field Giverny
- The Water Lily Pond detail
- Morning on the Seine Clear Weather
- Lavacourt
- The Cliff near Dieppe
- Four Trees
- Poplars View from the Marsh
- Tree in Flower near Vetheuil
- The Beach at Trouville II
- Zaandam
- Water Lilies 1906
- Poplars Wind Effect
- The Road from Vetheuil
- An Orchard in Spring
- Woman with a Parasol
- Willows at Sunset
- Waves Breaking
- The Rocks at Pourville Low Tide
- Poplars on the Banks of the River Epte
- Fog Effect
- Cliffs of Les Petites Dalles
- The Seine near Giverny
- Morning on the Seine 1897
- Dolceacqua
- Garden in Flower
- Still Life with Melon
- Boulevard of Capucines
- Tow Path at Lavacourt
- Exterior of Saint Lazare Station Sunlight Effect
- Quai du Louvre
- The Mediterranean aka Cam d Antibes
- Antibes Seen from the Cape Mistral Wind
- Morning on the Seine Clear Weather II
- Sunrise (Marine)
- Morning on the Seine in the Rain
- Yellow and Lilac Water Lilies
- The Bridge in Monet s Garden
- Argenteuil Flowers by the Riverbank
- Fruit TreesNo dates listed
- The Valley of Sasso Sunshine
- The Garden Gladioli
- The Mill at Vervy
- Morning rightcenter detail
- The Valley of Sasso Blue Effect
- Sunset right half
- The Jetty at Le Havre II
- Poppy Field in Giverny
- Canal in Amsterdam
- Agapanthus center panel
- Le Rue de La Bavolle at Honfleur II
- Still Life Red Mullets
- The Dike at Zaandam Evening
- The Church at Varengeville
- In the Woods at Giverny Blanche Hoschedé at Her Easel with Suzanne Hoschedé Reading
- Springtime
- The Seine at PortVillez Blue Effect
- Mouth of the Seine at Honfleur
- Water Lilies
- View of Argenteuil in the Snow
- Les Roches at Falaise near Giverny
- Flowers at Vetheuil
- The Cliffs of Les PetitesDalles
- Road at Louveciennes Melting Snow Sunset
- Green Reflection right half
- The Water Lily Pond II
- The Alps Seen from Cap d Antibes
- The Japanese Footbridge
- Young Girls in a Row Boat
- Poplars on the Banks of the River Epte in Autumn
- The Artist s House at Giverny
- The Blue House at Zaandam
- Monte Carlo Seen from Roquebrune
- Water Lilies III
- Boats on the Beach
- Yellow Irises II
- The Japanese Bridge
- The Sea in Antibes
- Water Lilies XII
- Apple Trees on the Chantemesle Hill
- BelleIle Rocks at PortGoulphar
- The Pyramids at PortCoton
- On the Coast at Trouville
- Path
- The Japanese Bridge 2
- Houses on the Zaan River at Zaandam
- Regatta at Argenteuil
- Farmyard
- Clamatis
- Under the Pine Trees at the End of the Day
- The Banks of the Seine at PortVillez
- The Shoot
- Victor Jacquemont Holding a Parasol
- Entering the Village of Vetheuil in Winter
- Lane in the Vineyards at Argenteuil
- The Artist s Family in the Garden
- The Custom House Morning Evvect
- Poplars near Giverny Overcast Weather
- The Point de la Heve Honfleur
- The Road from Chailly to Fontainebleau
- Springtime (The Reader or Woman Reading)
- The Seine near Giverny 1897
- Beach in JuanlesPins
- Two Anglers
- View near Rouelles
- The Riverbank at Le Petit Gennevilliers Sunset
- The Path at La Cavee Pourville
- The Doges Palace
- A Palm Tree at Bordighera
- The Bodmer Oak Fontainebleau
- Antibes Seen from the Salis Gardens III
- At Les PetitDalles
- Young Girl in the Garden at Giverny
- The Boardwalk on the Beach at Trouville
- Giverny in Springtime
- Morning Landscape Giverny
- Vase of Peonies
- Poplars in the sun (Three Poplar Trees Autumn Effect)
- SaintGermainl Auxerrois
- Morning on the Seine
- Sailboats at Sea Pourville
- Hauling a Boat Ashore Honfleur
- Fishing Boats at Sea
- The Steps at Vetheuil
- Asters
- Snow Effect at Limetz
- Poppy Field near Vetheuil
- Poplars White and Yellow Effect
- SaintAdresse Beached Sailboatcirca
- Bouquet of Mallows
- Water Lilies 1905
- Monet s Garden at Vetheuil
- On the Beach at Trouville
- The Seine at Bennecourt in Winter
- Pleasure Boats
- The Isle La Grande Jatte
- Bed of Chrysanthemums
- Venice, Palazzo Dario
- The Sheltered Path 1873
- Three Trees in Autumn
- Camille Embroidering
- The Bridge at Argenteuil
- Water Lilies IX
- 4 The Studio Boat
- The Windmill on the Onbekende Canal Amsterdam 1874
- Fishing Boats by the Beach and the Cliffs of Pourville
- Fruit Basket with Apples and Grapes
- The Red Road near Menton
- The Seine at Vetheuil II
- Morning on the Seine near Giverny
- The Japanese Bridge at Giverny
- Rising Tide at Pourville
- Breakup of Ice Grey Weather
- The Seine at Rouen
- At the Parc Monceau
- Garden at Sainte-Adresse
- Sunset on the Seine in Winter
- The Sea at Fecamp
- Path along the Water Lily Pond
- Cliffs at Pourville in the Fog
- 5 The Seine at Vetheuil
- San Giorgio Maggiore at Dusk (Twilight Venice)
- The Artist s Garden at Vetheuil
- Coming into PortGoulphar BelleIle
- By the Sea
- Lighthouse at the Hospice
- The Road to Monte Carlo
- Haystack at Giverny
- Luncheon on the Grass
- Three Fishing Boats
- The Thames below Westminster
- Poplars on the Banks of the River Epte Overcast Weather
- Vetheuil Seen from Ile Saint Martin
- The Stoller Suzanne Hischede
- The Fonds at Varengeville
- Bridge at Dolceacqua
- Road to Giverny in Winter
- The Towpath at Granval
- Stormy Seascape
- Woodbearers in Fontainebleau Forest
- The Grand Canal and Santa Maria della Salute
- The Japanese Footbridge, Giverny
- Argenteuil the Hospice
- The Zaan at Zaandam
- Still Life Apples and Grapes
- The Bridge at Bougival
- Cliff at Etretat (La Porte d’Amont Étretat)
- View of Antibes from the Plateau
- Houses of Parliament Sunset II
- Infantry Guards Wandering along the River
- Pyramids at PortCoton
- Cap Martin II
- Bennecourt 1887
- Rio della Salute II
- The Olive Tree Wood in the Moreno Garden
- The Tea Set
- Fishing Boats Leaving the Port of Le Havre
- Bouquet of Gadiolas Lilies and Dasies
- The House among the Roses
- WaterLilies
- Water Lily Pond with Irises left half
- The Beach at Fecamp
- The Church at Varengeville against the Sunset
- View of the Old Outer Harbor at Le Havre
- Springtime aka Apple Trees in Bloom
- 3 Water Lilies II
- Camille Monet in the Garden at the House in Argenteuil
- Misty morning on the Seine blue
- The Old Rue de la Chaussee Argenteuil II
- Beach at Etretat
- Haystacks Overcast Day
- Cliff near Fecamp
- Argenteuil Seen from the Small Arm of the Seine
- The Green Wave
- San Giorgio Maggiore
- Canal in Zaandam
- Rue Saint-Denis in Paris Celebration of 30 June 1878
- Agapanthus
- Yellow Irises with Pink Cloud
- Irises II
- Leicester Square at Night
- Boats in the Port of London
- Three Pots of Tulips
- Agapanathus
- Irises III
- Fishing Boats off Pourville
- Sailboat at Le Petit Gennevilliers
- Bathers at La Grenouillere
- Water Lilies XV
- Water Lilies Reflections of Weeping Willows right half
- Landscape at Giverny
- Hamerocallis
- Yellow Irises III
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