The Good Samaritan after Delacroix
Vincent van Gogh
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- Art Type: Oil Painting
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Work Overview
- The Good Samaritan, after Delacroix
Vincent van Gogh
Date: 1890; Auvers-sur-oise, France *
Style: Post-Impressionism
Genre: religious painting
Media: oil, canvas
Dimensions: 60 x 73 cm
Location: Kröller-Müller Museum, Otterlo, Netherlands
Van Gogh, motivated by the book The Imitation of Christ which included depiction of Christ as a suffering servant, worked on reprises of Eugène Delacroix's Pieta and Good Samaritan. Rather than representing "a triumphant Christ in glory," he depicted Christ in his most perilous and painful period, his crucifixion and death.[15] Of capturing the scenes of his religious work from long ago, Van Gogh described Delacroix's perspective of how to paint the historical religious figures: "Eug. Delacroix, when he did a Gethsemane, had been beforehand to see what an olive grove was like on the spot, and the same for the sea whipped up by a strong mistral, and because he must have said to himself, these people we know from history, doges of Venice, crusaders, apostles, holy women, were of the same type as, and lived in a similar way to, their present-day descendants."[16]
Delacroix's influence helped Van Gogh develop artistically and gain knowledge of color theory. To his brother Theo, he wrote: "What I admire so much about Delacroix... is that he makes us feel the life of things, and the expression of movement, that he absolutely dominates his colours."
In 1889 Van Gogh expressed a desire to make copies of paintings, including The Good Samaritan by Delacroix as a learning experience.
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