The Parable of the Rich Fool (The Rich Man from the Parable)

Rembrandt

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Keywords: ParableRichFoolRichManParable

Work Overview

The Parable of the Rich Fool (The Rich Man from the Parable)
Rembrandt
Date: 1627
Style: Baroque
Genre: genre painting
Media: oil
Dimensions: 43 x 32 cm


The Parable of the Rich Fool is a parable of Jesus which appears in Luke 12:13-21. It reflects the foolishness of attaching too much importance to wealth.


The parable has been depicted by artists such as Rembrandt.


The parable is introduced by an audience member who tries to enlist Jesus' help in a family financial dispute:[1]


One of the multitude said to him, "Teacher, tell my brother to divide the inheritance with me." But he said to him, "Man, who made me a judge or an arbitrator over you?" He said to them, "Beware! Keep yourselves from covetousness, for a man's life doesn't consist of the abundance of the things which he possesses."


— Luke 12:13-15, World English Bible
Jesus then responds with the parable:


He spoke a parable to them, saying, "The ground of a certain rich man brought forth abundantly. He reasoned within himself, saying, 'What will I do, because I don't have room to store my crops?' He said, 'This is what I will do. I will pull down my barns, and build bigger ones, and there I will store all my grain and my goods. I will tell my soul, "Soul, you have many goods laid up for many years. Take your ease, eat, drink, be merry."' "But God said to him, 'You foolish one, tonight your soul is required of you. The things which you have prepared—whose will they be?' So is he who lays up treasure for himself, and is not rich toward God."


— Luke 12:16-21, World English Bible


The rich farmer in this parable is portrayed negatively, as an example of greed.[1] By replacing his existing barn, he avoids using agricultural land for storage purposes, thus maximising his income, as well as allowing him to wait for a price increase before selling.[1] St. Augustine comments that the farmer was "planning to fill his soul with excessive and unnecessary feasting and was proudly disregarding all those empty bellies of the poor. He did not realize that the bellies of the poor were much safer storerooms than his barns."[2]


The farmer's conversation with his wife is, in Luke's gospel, a negative.[1] It is also self-centred: first-person pronouns occur 11 times.[3] Arland J. Hultgren comments that the parable "provides an example of what one ought not to be like. The person whose identity is tied up with his or her possessions, status, and/or achievements — and is driven by acquiring them — can so easily end up unaware of the call of God and the need of the neighbor."[3]


The farmer's foolishness lies particularly in the fact that wealth cannot guarantee the future: the Day of Judgment arrives sooner than he expects.


This parable has been depicted by several artists, including Rembrandt, Jan Luyken, James Tissot, and David Teniers the Younger.


The painting, known as The Money-Changer, is also interpreted as the allegory of miserliness.


Rembrandt's work is imbued with certain qualities we can call Caravaggesque even if they are not directly derived from the Italian master's work. The highly conscious use of dark and light in constructing compositions is considered part of Caravaggio's legacy. This method was known to Rembrandt through the mediation of Utrecht painters like Gerrit van Honthorst, who brought stylistic Caravaggism from Italy to Holland.


Rembrandt illustrates the parable of the rich fool, as told in Luke 12. At night a rich man studies one of his golden coins.


In the early 17th century a stack of books was often used as a symbol of vanity. The Hebrew letters suggest a biblical setting.


The usual interpretation of the parable is that there is no point in spending a life gathering wealth. After all, onced you die money is of no use. It might even get into the hands of people who do not deserve it. It is therefore thought to be wiser to be "rich toward God".