The idea of unseen/seenness re-opens the production of subjectivity in art by affirming the applicability of multiplicity. I will explore this issue using my computer-robotic assisted painting becOming multiple as example as it demonstrates aspects of latent excess. The idea of latent excess re-establishes an ambiguously private critical distance for the art viewer: a distance achieved through the connective disparity between pleasure and frustration. 

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Read the article on eyewithwings.net/nechvatal/un2seen/Unseen-Seen.htm, please.