Hippopotamus and Crocodile Hunt

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Hippopotamus and Crocodile Hunt: Peter Paul Rubens

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Art Type: Oil Painting
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Peter Paul Rubens Oil Painting - Hippopotamus and Crocodile Hunt

Keywords: Hippopotamus, Crocodile, Hunt

Work Overview: The Hippopotamus and Crocodile Hunt
Peter Paul Rubens
Date: c.1615 - c.1616
Style: Baroque
Genre: genre painting
Media: oil, canvas
Dimensions: 321 x 248 cm
Location: Alte Pinakothek, Munich, Germany

The Hippopotamus and Crocodile Hunt is an oil painting on canvas by Peter Paul Rubens (Flemish, 1577–1640). It was commissioned in 1615 to decorate Schleißheim Palace, along with three other works depicting lion, wolf, and boar hunts. The cycle of paintings were looted from the palace during the Napoleonic Wars. Only the Hippopotamus and Crocodile Hunt was returned to Munich,[1] at which time it was added to the collection that is now the Alte Pinakothek.

Peter Paul Rubens created the canvas oil painting entitled The Hippopotamus and Crocodile Hunt between 1615–16. The hunt takes place on the banks of the Nile, as indicated by a palm tree in the background. As hippopotami and crocodiles were considered dangerous nuisances, their destruction was a duty performed by noblemen. The hunting party comprises three men in orientalizing costume—mounted on Arabian horses, who hunt with lance and sword—and two valets clad in roughly-hewn jerkins—one of whom has been killed by one of the beasts. The enraged hippopotamus tramples the crocodile, as both are attacked by the hunters and hounds. The accurately-rendered physical appearances of the hippopotamus and crocodile contrasts with contemporary renderings[2] and reflect the period's growing interest in empiricism and natural history. It has been suggested that Rubens may have traveled to Rome to view a temporarily-displayed dead hippopotamus preserved in brine prior to the painting of the picture.

Rubens created the genre of the large hunting scene[citation needed] and his studio produced dozens for aristocratic patrons in the 1610s and 1620s. Maximilian I, Elector of Bavaria, commissioned the Hippopotamus and Crocodile Hunt three others depicting lion, wolf, and boar hunts, in 1615 to decorate Schleißheim Palace, the summer residence of the Wittelsbach princes. Rubens and his studio produced the four large canvases in Antwerp over the years 1615–16. The Wittelsbach collection formed the nucleus of Alte Pinakothek in Munich, the present location of the Hippopotamus and Crocodile Hunt and The Lion Hunt from the same cycle. The cycle of paintings were looted from the palace during the Napoleonic Wars. Only the Hippopotamus and Crocodile Hunt was returned to Munich,[1] at which time it was added to the collection that is now the Alte Pinakothek.

The complexity of the figure grouping, representation of turbulent motion and violent action, high drama, and brilliant palette are hallmarks of Rubens' style. In the notice of January 25, 1847, Eugène Delacroix admired the crocodile as a "masterpiece of execution", remarking, however, that "its action could have been more interesting".

The Hippopotamus and Crocodile Hunt is a large painting by Peter Paul Rubens, featuring the hunt on hippopotamus and crocodile with three hunting dogs. There is also a reference to a leopard in the pelt on the horse of the upper left rider. Rubens used the dramatics of diagonals to heighten the sense of immediacy and movement and redirected attention downward into the center of action.

The Hippopotamus and Crocodile Hunt is one of the four hunting paintings, commissioned by Maximilian I, Elector of Bavaria to decorate the old Schleissheim Palace. After the seizure of this cycle during the Napoleonic Wars only The Hippopotamus and Crocodile Hunt was returned to Munich. In the notice of January 25, 1847 Eugene Delacroix admired the crocodile as a "masterpiece of execution", remarking, however, that "its action could have been more interesting".

Although not realistic, Hippopotamus and Crocodile Hunt is a statement about man's struggle with the beast as well as nature as a whole. It is a painting of opposites between smooth and scaly, dark and light, the high and low, beauty and barbaric.

This painting is an excellent example of the Baroque style because it uses vivid colors to portray a dramatic and highly emotional scene. The layout of the painting is slightly off center with most of the action happening to the left side of the painting and a calm spot to the right. The Hippopotamus and Crocodile Hunt is a great example of how artists of that time captured emotion and movement.

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