Pygmalion and Galatea ArtistJean-Léon Gérôme Year1890 MediumOil on canvas Dimensions89 cm × 69 cm (35 in × 27 in) LocationMetropolitan Museum of Art, New York City
Pygmalion and Galatea (French: Pygmalion et Galatée) is an 1890 painting by the French artist Jean-Léon Gérôme.[1] The motif is taken from Ovid's Metamorphoses, and depicts how the sculptor Pygmalion kisses his ivory statue Galatea, after the goddess Venus has brought her to life.
Jean-Léon Gérôme painted Pygmalion and Galatea in the summer of 1890. In 1891 he made a marble sculpture of the same subject, possibly based on a plaster version also used as model for the painting. He made several alternative versions of the painting, each presenting the subject from a different angle.
The most famous version, where Galatea is seen from behind, was bought by Boussod, Valadon & Cie on 22 March 1892. It was sold several times until it was donated to the Metropolitan Museum of Art by Louis C. Raegner in 1927. The other versions are in private collections or lost.
Between 1890 and 1892, Gérôme made both painted and sculpted variations on the theme of Pygmalion and Galatea, the tale recounted in Ovid’s Metamorphoses. All depict the moment when the sculpture of Galatea was brought to life by the goddess Venus, in fulfillment of Pygmalion’s wish for a wife as beautiful as the sculpture he created. This is one of three known versions in oil that are closely related to a polychrome marble sculpture, also fashioned by Gérôme (Hearst Castle, San Simeon, Calif.). In each of the paintings, the sculpture appears at a different angle, as though it was being viewed in the round.
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