Seated Bather Pierre-Auguste Renoir Original Language Title: Baigneuse Assise c. 1883-1884 Collection of Maurice Wertheim Oil on canvas Dimensions: 119.7 x 93 cm (47 1/8 x 36 5/8 in.)
Following a trip to Italy in 1881–82 to study the masterpieces of ancient Roman and Renaissance painting, Renoir embarked on one of his most innovative periods. As he later recalled, “Around 1883 there occurred what seemed to be a break in my work. I had wrung impressionism dry.” Exploring the canonical theme of female nude bathers, Renoir titled a work similar to this one Naiad, or water nymph, highlighting the figure’s classical inspiration. Her pose recalls a well-known Roman sculpture of a bathing nymph; it also evokes a long tradition in painting of depicting nude figures in a landscape. While this work responds to these precedents, it also breaks with them. Renoir painted the figure and her drapery differently from the landscape, so that she appears to float in the setting. He also left her right foot unresolved where it meets the fabric, signaling that his pictorial approach was no longer a purely naturalistic enterprise.
Pierre-Auguste Renoir, 1884-1886,sold; [to Durand-Ruel, Paris] (deposited 1886, sold to Durand-Ruel in 1886) sold; to Mrs. Berthe Honore Potter Palmer, (1892-1894) sold; [to Durand-Ruel, New York] (1894-1930) sold; to Mrs. Jacques (Consuelo Vanderbilt) Balsan (1930-1946) sold; [through Durand-Ruel, New York]; to Maurice Wertheim (1946-1951) bequest; to Fogg Art Museum, 1951. Notes: Wertheim paid $125,000--see O'Brian text regarding sale.
Publication History Impressionist Paintings, exh. cat., St. Botolph Club (Boston, MA, 1913), no. 252
Gustave Geffroy, "Renoir, Peintre de la Femme", L'Art et les Artistes (April 1920), repr., p. 157
Georges Riviere, Renoir et ses Amis, Henri Floury (Paris, France, 1921), repr. opposite p. 40
Henri de Regnier, Renoir, peintre du nu, Galerie Bernheim Jeune (Paris, France, 1923), repr., pl. 17
Gustave Coquiot, Renoir, avec 32 reproductions, A. Michel (Paris, France, 1925), repr. opposite p. 40
Loan Exhibition of Old and Modern Masters, exh. cat., Detroit Institute of Arts (Detroit, MI, 1927), no. 91
Albert Andre, Renoir, G. Crès et Cie (Paris, France, 1928), repr. as pl. 30
Georges Besson, Auguste Renoir, G. Crès et Cie (Paris, France, 1929), pl. 16
A. C. Barnes and Violette de Mazia, The Art of Renoir (New York, NY, 1935), pp. 408-409, no. 142
Claude Roger-Marx, Renoir, Henri Floury (Paris, France, 1937), repr. p. 105
"Renoir Painting Sold, Proceeds to Aid France", New York Herald Tribune (Nov 21 1946), p. 48
Durand-Ruel Gallery, Nine Selected Paintings by Renoir, exh. cat., Durand-Ruel Gallery (New York, NY, 1946), repr. no. 1
La Peinture Française Depuis 1870: Collection Maurice Wertheim, exh. cat., Tom Taylor (Québec, Canada, 1949), no. 10, pp. 27-29
Howard Devree, "By French Masters: The Metropolitan Shows Wertheim Collection", The New York Times (New York, NY, July 6 1952), p. 6, p. 6
"Youths Caught Stealing Famous Paintings in Paris", The New York Times (New York, NY, June 28, 1952), repr.
Figure Paintings by Renoir, The Metropolitan Museum of Art (New York, NY, 1952), repr.
The Maurice Wertheim Catalogue: Modern French Art-- Monet to Picasso, exh. cat., North Carolina Museum of Art (Raleigh, NC, 1960), p. 42, repr. p. 43
Masterpieces: loan exhibition of paintings and drawings. A memorial exhibition for Adele R. Levy; benefit of the Citizens' Committee for Children of New York, Inc., exh. cat., Wildenstein Gallery, New York (New York, NY, 1961), repr. no. 41
The Maurice Wertheim Collection: Modern French Art-- Manet to Picasso, exh. cat., Museum of Fine Arts, Boston (Houston, TX, 1962), pl. 17, pp. 44-45
Margarethe B. J. Brown, "Modern Woman--In Whose Image?", Crossroads (July 1965 - Sept 1965), vol. XV, no. 4, ill. p. 89
Renoir, University of Wisconsin Press (Tokyo, Japan, 1969), repr. in color p. 35
James Nelson, "Impressionism Ridiculed by 19th Century Critics", The Montgomery Advertiser Journal (Montgomery, AL, June 6, 1971)
François Daulte, Auguste Renoir: catalogue raisonné de l'oeuvre peint, Editions Durand-Ruel (Lausanne, Switzerland, 1971), vol. 1, no. 490, repr.
Elda Fezzi, L'Opera Completa di Renoir nel periodo impressionista, 1869-1883, Rizzoli Editore (Milan, Italy, 1972), no. 620
The Maurice Wertheim Collection, exh. cat., Maine State Museum (Augusta, ME, 1972), no. 30
Jean Sutherland Boggs, "Variations on the Nude", Apollo (June 1978), vol. CVII, no. 196, pp. 487-489, p. 489, repr. as color pl. XIX
Vivien Raynor, "Art: Impressionist Show at the I.B.M. Gallery" [review], The New York Times (New York, NY, April 26, 1985), p. C24
G. Freisinger, "Second Impressions", Harvard Magazine (Cambridge, MA, May 1985 - June 1985), p. 40, ill. p. 43
Kristin A. Mortimer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums/Abbeville Press (Cambridge, MA; New York, NY, 1985), no. 215, p. 189, repr. in b/w
Renoir, exh. cat., Arts Council of Great Britain, London (London, England, 1985), pp. 110-111, repr., 221, 239-240
Bruce Bernard, ed., The Impressionist Revolution, Orbis Publishing Ltd. (London, England, 1986), repr. in coor, p. 185
Horst Keller, Auguste Renoir, Bruckmann Verlag (Munich, Germany, 1987), repr. in color pl. 100, p. 125
Nicholas Wadley, ed., Renoir: A Retrospective, Hugh Lauter Levin Associates, Inc. (New York, NY, 1987), repr. in color pl 89, p. 269
John O'Brian, Degas to Matisse: the Maurice Wertheim Collection, exh. cat., Harry N. Abrams, Inc./Fogg Art Museum (New York, NY and Cambridge, MA, 1988), no. 8, pp. 57-60, repr. in color p. 58
John House, Renoir, exh. cat., Guernsey Museum and Art Gallery (Guernsey, 1988), repr. in b/w p. 34
Raffaele de Grada, Renoir, Arch Cape Press (New York, NY, 1989), repr. in color no. 56, p. 79
Christopher Riopelle, "Renoir: the Great Bathers", exh. cat., Philadelphia Museum of Art (Philadelphia, PA, Fall 1990), repr. in color fig. 5, p. 13; text p. 12
Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 87, color plate; pp. 127, 254, repr. b/w cat. no. 382
Pierre-Auguste Renoir, Renoir by Renoir, ed. Rachel Barnes, Webb and Bower (Exeter, England, 1990), repr. in color p. 57
The Maurice Wertheim Collection and Selected Impressionist and Post-Impressionist Paintings and Drawings in the Fogg Art Museum, exh. cat., Harry N. Abrams, Inc. (New York, NY, 1990), repr. in color, no. 17, p. 65
Bernard Denvir, Impressionism, the Painters and the Paintings, Studio Editions (London, England, 1991), repr. in color pl. 197
Anne Higonnet, Berthe Morisot's Images of Women, Harvard University Press (Cambridge, MA and London, England, 1992.), repr. in b/w, fig. 67, p. 171
Rosamond Lehmann, A Sea-Grape Tree (London, England, 1993), detail repr. in color on cover
Vivien Perutz, Edouard Manet, Bucknell University Press /Associated University Presses (Lewiston, PA and London, England, 1993), repr. in b/w fig. 4, p. 63; text p. 63
Anne Distel, Renoir il faut embellir, Réunion des Musées Nationaux / Editions Gallimard (Paris, France, 1993), repr. in color p. 83
John House, Renoir: Master Impressionist, exh. cat., Art Exhibitions Australia Limited (Sydney, Australia, 1994), fig. 22, pp. 48-49
Impressionist and Modern Art, Part I, auct. cat., Sotheby's (New York, NY, November 13, 1997), p. 70
Impressionist and Modern Art, Phillips, de Pury & Luxembourg (New York, NY, May 7 2001), p. 66, under lot no. 16, repr. in b/w as fig. 3, p. 67
Gilles Néret, Renoir: Painter of Happiness, Taschen (Köln, Germany, 2001), repr. in color, p. 298
John House, Impressionism: Paint and Politics, Yale University Press (U.S.) (New Haven, CT, and London, 2004), p. 203, repr. as pl. 176
John House, "Women Out of Doors", exh. cat., ed. Sidsel Maria Søndergaard, Skira Editore S.p.A. (Milan, Italy, 2006), p. 184, repr. in color as fig. 154
Elizabeth M. Rudy, "Researching the Wertheim Collection at the Harvard Art Museums", Collections: A Journal for Museum and Archives Professionals (Summer 2014), Vol. 10, No. 3, pp. 301-6
Exhibition History Exhibition of French Art, 1200-1900, Royal Academy of Arts, London, 01/01/1932 - 03/05/1932
Renoir, Musée de l'Orangerie, Paris, 01/01/1933 - 12/31/1933
Nine Selected Paintings by Renoir, Durand-Ruel [New York], New York, 12/01/1946 - 01/31/1947
La Peinture Française depuis 1870, Musée de la Province de Quebec, 07/12/1949 - 08/07/1949
The Maurice Wertheim Collection, The Metropolitan Museum of Art, New York, 07/01/1952 - 09/14/1952
French Paintings Since 1870 from the Maurice Wertheim Collection, National Gallery of Art, Washington, 06/01/1953 - 09/30/1953
The Maurice Wertheim Collection, Philadelphia Museum of Art, Philadelphia, 06/15/1957 - 09/15/1957
The Maurice Wertheim Collection, Minneapolis Institute of Arts, Minneapolis, 06/10/1958 - 08/31/1958
The Maurice Wertheim Collection: Modern French Art--Monet to Picasso, North Carolina Museum of Art, Raleigh, 06/17/1960 - 09/04/1960
Masterpieces: A Memorial Exhibition for Adele R. Levy, Wildenstein Gallery, New York, New York, 04/06/1961 - 05/07/1961
The Maurice Wertheim Collection: Manet to Picasso, The Museum of Fine Arts, Houston, Houston, 06/13/1962 - 09/02/1962
The Maurice Wertheim Collection, Baltimore Museum of Art, Baltimore, 06/20/1963 - 09/01/1963
The Maurice Wertheim Collection, Currier Museum of Art, Manchester, 06/24/1965 - 09/07/1965
The Maurice Wertheim Collection, Museum of Art, Rhode Island School of Design, Providence, 09/03/1968 - 09/22/1968
The Maurice Wertheim Collection, Montgomery Museum of Art, Montgomery, 06/01/1971 - 09/30/1971
The Maurice Wertheim Collection, Maine State Museum, Augusta, 06/01/1972 - 09/01/1972
Renoir, Museum of Fine Arts, Boston, Boston, 10/09/1985 - 01/05/1986
Manet to Matisse: The Maurice Wertheim Collection, IBM Gallery of Science and Art, New York, 04/09/1985 - 05/25/1985
The Maurice Wertheim Collection and Selected Impressionist and Post-Impressionist Paintings and Drawings in the Fogg Art Museum, Isetan Department Store, Tokyo, 03/01/1990 - 04/10/1990; Yamaguchi Prefectural Museum of Art, 04/14/1990 - 05/13/1990
Renoir: the Great Bathers, Philadelphia Museum of Art, Philadelphia, 09/09/1990 - 11/25/1990
Re-View: S427 Impressionist & Postimpressionist Art, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 08/02/2008 - 06/18/2011
32Q: 1220 Wertheim, Harvard Art Museums, 11/16/2014 - 01/01/2050
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