The Temptation of Saint Anthony

Pieter Brueghel the Elder

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Keywords: TemptationSaintAnthony

Work Overview

The Temptation of Saint Anthony
Pieter Bruegel the Elder
c. 1550/1575
oil on panel
overall: 58.5 x 85.7 cm (23 1/16 x 33 3/4 in.)
National Gallery of Art


Legends of Anthony Abbot relate how the pious early Christian, forsaking society, journeyed into the wilderness to seek God. Anthony appears twice in this painting; in his foreground retreat, he resists the Devil's manifold temptations. After failing to yield to the evil lures, he is shown again being physically tortured while carried aloft by demons. Yet, the saint was saved by the purity of his soul.


The religious subject is presented in a revolutionary fashion; generations of earlier artists had tended to treat landscape as an unobtrusive backdrop of secondary importance, whereas now the landscape dominates the subject to such an extent that the temptation of Saint Anthony seems only incidental. This change of emphasis marks an important advance toward the development of pure landscape painting, in which Pieter Bruegel the Elder was an instrumental figure. Already, that delight in the natural world is apparent here in the shadowy depths of leafy forests, contrasting with open vistas of waterways, villages, and towns bathed in pearly light.


Perhaps the juxtaposition of a peaceful landscape with the temptations and attacks of demons was a subtle statement by this Bruegel follower on the political and moral brutalities of his time. Possibly Saint Anthony is meant allegorically to represent Everyman caught up in a world gone mad.