Road near Mont Sainte Victoire

Paul Cezanne

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Keywords: RoadMontSainteVictoire

Work Overview

Road near Mont Sainte-Victoire
Paul Cezanne
Date: c.1902
Style: Post-Impressionism
Period: Final period
Genre: landscape
Media: oil, canvas
Dimensions: 99 x 81 cm
Location: Hermitage Museum, Saint Petersburg, Russia


Cézanne would return to the motif of Mont Sainte-Victoire throughout the rest of his career, resulting in an incredibly varied series of works. They show the mountain from many different points of view and often in relationship to a constantly changing cast of other elements (foreground trees and bushes, buildings and bridges, fields and quarries). From this series we can extract a subgroup of over two-dozen paintings and watercolors. Dating from the very last years of the artist’s life, these landscapes feature a heightened lyricism and, more prosaically, a consistent viewpoint. They show the mountain as it can be seen from the hill of Les Lauves, located just to the north of Aix.


Cézanne bought an acre of land on this hill in 1901 and by the end of the following year he had built a studio on it. From here, he would walk further uphill to a spot that offered a sweeping view of Mont Sainte-Victoire and the land before it. The painter Emile Bernard recalled accompanying Cézanne on this very walk:
Cézanne picked up a box in the hall [of his studio] and took me to his motif. It was two kilometers away with a view over a valley at the foot of Sainte-Victoire, the craggy mountain which he never ceased to paint[…]. He was filled with admiration for this mountain.
Cézanne consciously cultivated his association with the mountain and perhaps even wanted to be documented painting it. When they visited Aix in 1906, the artists Maurice Denis and Ker-Xavier Roussel found themselves being led to the same location. In an oil painting by Denis and in some of Roussel’s photographs, we see Cézanne standing before his easel and painting the mountain. Again! It was the view we can see in most of Cézanne’s late views of Mont Sainte-Victoire, including the painting that concerns us here, which is now in the Philadelphia Museum of Art.