Monet's series of 11 paintings depicting The Bridge at Argenteuil (1874) also explored the use of colored shadows in its portrayal of the blue and purple shadow on the top portion of the bridge.[40] Over the years, Monet became more and more obsessed with color and light. When his wife was dying in September 1879, Monet painted her in Camille Monet on Her Deathbed (1879), noting the "blue, yellow, grey tones". Monet told his friend, French statesman Georges Clemenceau (1841–1929), that he spent the time "focusing on her temples and automatically analyzing the succession of appropriately graded colors which death was imposing on her motionless face."[41] Camille died from cancer at the age of 32. After her death, Monet largely ceased painting people, focusing instead on natural landscapes.[42] Monet later returned to painting snow and colored shadows with Grainstacks Snow Effect (1891).
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