he Iris May 1889 National Gallery of Canada, Ottawa
As the end of his stay in Saint-Rémy and the days ahead in Auvers-sur-Oise neared, van Gogh conveyed his optimism and enthusiasm by painting flowers. About the time that Van Gogh painted this work, he wrote to his mother, "But for one's health, as you say, it is very necessary to work in the garden and see the flowers growing."[32] To his sister Wil he wrote, "The last days in Saint-Rémy I worked like a madman. Great bouquets of flowers, violet-colored irises, great bouquets of roses."
Van Gogh made Irises from the irises in the asylum's garden. The painting seems influenced by Japanese ukiyo-e woodblock prints due to its close-up views, large areas of bright color and irises appearing to overflow the borders of the frame. He considered this painting a study, which is probably why there are no known drawings for it, although Theo, Van Gogh's brother, thought better of it and quickly submitted it to the annual exhibition of the Société des Artistes Indépendants in September 1889. He wrote to Vincent of the exhibition: "[It] strikes the eye from afar. The Irises are a beautiful study full of air and life." [33]
A single iris is the subject of the second painting, smartly posed in the center. Like rays of the sun, brush strokes radiate out from the plant. Iris, with one full bloom, may have been painted before Irises that was filled with blooms.
Copyright Statement:
All the reproduction of any forms about this work unauthorized by Singing Palette including images, texts and so on will be deemed to be violating the Copyright Laws. To cite this webpage, please link back here.