The Sower after Millet

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The Sower after Millet: Vincent van Gogh

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Art Type: Oil Painting
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Vincent van Gogh Oil Painting - The Sower after Millet

Keywords: Sower, Millet

Work Overview: The Sower (after Millet)
Vincent van Gogh
Date: 1889; France *
Style: Post-Impressionism
Genre: genre painting
Media: oil, canvas
Dimensions: 66 x 80.8 cm
Location: Private Collection

The "peasant genre" that greatly influenced Van Gogh began in the 1840s with the works of Jean-François Millet, Jules Breton, and others. In 1885 Van Gogh described the painting of peasants as the most essential contribution to modern art. He described the works of Millet and Breton of religious significance, "something on high."[33] A common denominator in his favored authors and artists was sentimental treatment of the destitute and downtrodden. He held laborers up to a high standard of how dedicatedly he should approach painting, "One must undertake with confidence, with a certain assurance that one is doing a reasonable thing, like the farmer who drives his plow... (one who) drags the harrow behind himself. If one hasn't a horse, one is one's own horse." Referring to painting of peasants Van Gogh wrote to his brother Theo: "How shall I ever manage to paint what I love so much?"[34]

Van Gogh Museum says of Millet's influence on Van Gogh: "Millet's paintings, with their unprecedented depictions of peasants and their labors, mark a turning point in 19th-century art. Before Millet, peasant figures were just one of many elements in picturesque or nostalgic scenes. In Millet's work, individual men and women became heroic and real. Millet was the only major artist of the Barbizon School who was not interested in 'pure' landscape painting."[35]

Van Gogh made twenty-one paintings in Saint-Rémy that were "translations" of the work of Jean-François Millet. Van Gogh did not intend for his works to be literal copies of the originals. Speaking specifically of the works after Millet, he explained, "it's not copying pure and simple that one would be doing. It is rather translating into another language, the one of colors, the impressions of chiaroscuro and white and black."[36] He made a copy of The Gleaners (Des glaneuses) by Millet.

Theo wrote Van Gogh: "The copies after Millet are perhaps the best things you have done yet, and induce me to believe that on the day you turn to painting compositions of figures, we may look forward to great surprises."

Having made over 30 works of the sower, Van Gogh explored the symbolism of sowing: "One does not expect to get from life what one has already learned it cannot give; rather, one begins to see more clearly that life is a kind of sowing time, and the harvest is not yet here."[45] As the sower cast seeds, another farmer is seen in a nearby field ploughing the field. Van Gogh depicted the sower in "its simplest form" and with the colors of blue, red, yellow, purple and orange, giving life and meaning to the composition of the eternal cycles of life.[

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