Wheat Field with Crows

Vincent van Gogh

Contemporary-Art.org
Keywords: WheatFieldCrows

Work Overview

Wheatfield with Crows
Vincent van Gogh
Date: 1890; Auvers-sur-oise, France *
Style: Post-Impressionism
Genre: landscape
Media: oil, canvas
Dimensions: 103 x 50.5 cm
Location: Van Gogh Museum, Amsterdam, Netherlands


The Van Gogh Museum's Wheat Field with Crows was made in July 1890, in the last weeks of Van Gogh’s life, many have claimed it was his last work. Others have claimed Tree Roots was his last painting. Wheat Field with Crows, made on an elongated canvas, depicts a dramatic cloudy sky filled with crows over a wheat field.[90] The wind-swept wheat field fills two thirds of the canvas. An empty path pulls the audience into the painting. Jules Michelet, one of Van Gogh's favorite authors, wrote of the crow: "They interest themselves in everything, and observe everything. The ancients, who lived far more completely than ourselves in and with nature, found it no small profit to follow, in a hundred obscure things where human experience as yet affords no light, the directions so prudent and sage a bird." Of making the painting Van Gogh wrote that he did not have a hard time depicting the sadness and emptiness of the painting, which was powerfully offset by the restorative nature of the countryside.[91] Erickson, author of Eternity's Gate: The Spiritual Vision of Vincent van Gogh, cautious of attributing stylistic changes in his work to mental illness, finds the painting expresses both the sorrow and the sense of his life coming to an end.[92] The crows, used by Van Gogh as symbol of death and rebirth or resurrection, visually draw the spectator into the painting. The road, in contrasting colors of red and green, is thought to be a metaphor for a sermon he gave based on Bunyan's "Pilgrim's Progress" where the pilgrim is sorrowful that the road is so long, yet rejoicing because the Eternal City waits at the journey's end.